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Nujoma’s cultural influence remembered by Namibian creatives

INSPIRATION … Sam Nujoma and Martin Morocky, popularly known as ‘The Dogg’

Those who were around in the 1990s will remember the popular anthem ‘Sam ouli peni’ as the nation continually celebrated liberation stalwart Sam Shafiishuna Nujoma.

Nujoma, Namibia’s first president and a key figure in the country’s struggle for independence, was widely revered for his leadership. His influence extended beyond politics and into cultural spaces, inspiring artistic expressions of patriotism and solidarity.

One of the most well-known contributors to this cultural movement was the Ndilimani Cultural Troupe, a band formed by Swapo in 1980. Through their melodious ensembles, they provided encouragement and strength to Namibians during the fight for freedom.

Speaking to The Namibian, Ndilimani operations manager Jessy Nombanza said Nujoma played a crucial role in the band’s formation.

“He was a great [source] of strength and support, as well as a source of inspiration to the founding and current members of Ndilimani Cultural Troupe,” he said.

Nombanza expressed deep sorrow over Nujoma’s passing, saying his death leaves “a void that cannot be easily filled”.

“On behalf of the ‘Ndilimani Cultural Troupe’, I would like to express our heartfelt condolences to Kuku Kovambo, the children, the entire Nujoma family and the whole Namibian nation. May the revolutionary soul of our founding president and father of the Namibian nation rest in eternal peace.”

Martin Morocky, popularly known as ‘The Dogg’, remembers Nujoma as a visionary leader.

“He championed not only political freedom but also cultural expression and economic emancipation. His love for Namibia made a lasting impact, not just to his peers but to all generations,” the musician says.

According to him, Nujoma understood the power of the arts in shaping national identity and unity.

“He was a symbol of cultural pride and resilience. His support for artistic and creative expression helped lay the foundation for Namibia’s vibrant arts scene today,” Morocky says.

He remembers Nujoma as a good-natured man.

“I remember when I was in studio recording with him, he told lots of jokes and educated me on music of which I thought he had no interest in. He was a humble president, a people’s person,” he says.

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